January 4 - 9, 2022

ART/New York Theatres in the Gural Theatre

The Women in Theatre Festival seeks to broaden the opportunities for women in the entertainment industry by producing new work by women with more than 50% female representation of all artists involved.


Embracing the new era of theatre-making, Project Y has commissioned 5 talented women playwrights to create short plays for a hybrid theatre.
The ALL HANDS ON DECK series is a play festival that shares 4 new works by Female Playwrights of the African Diaspora.



Embracing the new era of theatre-making, Project Y has commissioned 5 talented women playwrights to create short plays for a hybrid theatre.  Playwrights Eliza Bent, Kaaron Briscoe, Georgina Escobar, Amina Henry, and Erin Mallon were asked to write plays that invite in an audience of simultaneously streaming and in-person audiences.  The other requirement - that they be "2 Handers," which in theatre lingo means having a cast of just 2 actors.  Be the first to experience these new hybrid works, ranging from the serious to the comedic to the intense, all experimental as we take the lead in figuring out this brave new world of theatre in a post-pandemic city.


January 4-8th


Lia Romeo’s (Playwright) play The Forest was developed at the O’Neill Playwrights Conference, and was scheduled to receive a National New Play Network rolling world premiere in the upcoming season (cancelled due to the coronavirus). This and three of her other plays have been recognized by the Kilroys List. Her plays have been produced at 59E59, Unicorn Theatre, Project Y Theatre Company, New Jersey Repertory Theatre, Dreamcatcher Rep, HotCity Theatre, and many other companies, and have received workshops and residencies from the Lark, the National New Play Network’s MFA Playwrights Workshop, Orlando Shakespeare Theatre’s PlayFest, and elsewhere. She has been a nominee or a finalist for the Steinberg Award, the Kesselring Prize, the Weissberger Award, PlayPenn, and the NYIT Award for outstanding full-length script. She was the winner of City Theatre’s National Short Playwriting Award, and was an Individual Artist Fellowship winner in playwriting from the New Jersey State Council for the Arts.  Her plays are published by Broadway Play Publishing, Playscripts, Dramatists Play Service, and Smith & Kraus.  She is also the author of a novel, Dating the Devil (BelleBooks), and a humor book, 11,002 Things to Be Miserable About (Abrams Image), which has sold over 35,000 copies.  She earned her B.A. from Princeton University and her M.F.A. in playwriting from Rutgers/MGSA, and she teaches in the B.F.A theater program at Molloy College and the M.A. program in creative writing at Fairleigh Dickinson University.



Dan Lauria (Actor) has appeared as a guest star in over seventy television episodic programs and more than twenty Movie of the Week productions, plus a score of motion picture credits. Dan is a very familiar face to the off-off, off, and regional theatre scene, having performed, written, or directed over 50 professional stage productions. In 2010/2011, Dan was seen on Broadways as the legendary coach Vince Lombardi in the long-running production of Lombardi, with the beautiful and talented Judith Light, directed by Thomas Kail of Hamilton fame. Dan returned to Broadway in the 2013 and 2014 productions of the Tony nominated A Christmas Story: The Musical directed by John Rando. However, Dan is most recognized as the Dad on the highly acclaimed Emmy-winning ABC television show, “The Wonder Years.” Dan and his dear friend, the lovely and talented Ms. Wendie Malick, have performed the play The Guys by Anne Nelson (about our first responders) for numerous theatres and fire departments around the country. Wendie and Dan also perform Love Letters as a fundraiser for regional theatres, for the development of new plays. Dan was recently on the TBS show “Sullivan & Son” for three seasons. Dan also played manager Al Loungo on “Pitch” about the first woman pitcher in Major League Baseball and has recently joined the family on “This is Us,” both shows written by Dan Fogelman. Two years ago, Dan wrote and starred in the Off-Broadway production of Dinner with the Boys, produced by the one and only Pat Addis and the NJ Rep. This was followed by an Off-Broadway production of The Stone Witch by Shem Bitterman and upcoming regional production of Lee Blessing’s new play, Tea with the Boss, with Gwenn and Wendie Malcik. Dan and Ms. Malick are the co-creators of the Durango Play Festival for the development of new plays. Dan and his Godson Julian Farnsworth also write children’s books--go online and check th



Wendie Malick (Actor) gained prominence on the small screen as Nina Van Horn in “Just Shoot Me” which earned her 1 Golden Globe and 2 Emmy nominations. Wendie also starred in “Hot in Cleveland,” earning a People’s Choice Award and SAG nomination for Best Ensemble as well as “Dream On,” earning 4 Cable Ace Awards. Other television credits include, “Frasier,” “Big Day,” “Good Company,” “Rush Hour,” with recurring arcs on “This Is Us,” “The Ranch,” “American Housewife,” “Pitch,” “Darrow and Darrow,” and “NYPD Blue.” Wendie’s television guest appearances include “Seinfeld,” “Grace and Frankie,” “Mom,” “CSI,” “NCIS: New Orleans,” “LA Law,” and “The X-Files.” Animated television credits include appearances on “Jimmy Neutron,” Spongebob Squarepants,” and “Bojack Horseman” which received an Annie Nomination. Her career on the big screen includes credits such as “Adventureland,” “Fifty-Nothing,” “Jerome,” “Confessions of a Shopaholic,” “Waiting,” “Racing Stripes,” “The American President,” “On Edge,” “Trojan Wars,” “Raising Genius,” “Mr. Mikes Mondo Video,” “A Little Sex,” “The Goods,” “Bugsy,” “Funny About Love,” “The Emperor’s New Groove” and “Alvin and the Chipmunks: The Squeakquel.” Wendie’s theatre credits include Off-Broadway renditions of Burleigh GrimesNorth Shore Fish, and Big Night at the Kirk Douglas Theater; The Underpants at the Geffen; Don’t Blame Me, I Voted For Helen Gahagan Douglas at the Woolly Mammoth Theatre Company; The Santaland Diaries at the Coast Playhouse; Love Letters at the Laguna Playhouse; The Guys at the Studio Arena and Columbia University; Blithe Spirit and What Is The Cause Of Thunder at the Williamstown Theatre Festival; as well as Closure at the New Jersey Repertory Theatre. Malick’s passion for animal and humanitarian efforts is shown through her work on the Board of The Environmental Media Association, as well as being a spokesperson for The Humane Society of the United States and Return to Freedom, a wild horse sanctuary and advocacy group.



James Glossman (Director) most recently directed the East Coast premiere of Jeff Daniels’s Flint at Shadowland Stages (NY), and DW Gregory’s Memoirs of a Forgotten Man at NJRep, where he has also directed (among other projects) Circumference of a SquirrelTwo Jews Walk Into a War, and Tour De Farce. Other recent: American premiere of Bang Bang!, new farce by John Cleese; co-wrote & directed the music-theatre piece Shostakovich and the Black Monk: A Russian Fantasy, with multiple-Grammy-winning Emerson String Quartet and a rotating cast including Sean Astin, David Strathairn, Len Cariou, Jay O. Sanders, Jeffrey DeMunn, and Richard Thomas, in concert and festival halls around the world including Tanglewood, Ravinia, Wolf Trap, Los Angeles, and Seoul, South Korea. Adapted/Directed world premieres of Raymond Chandler’s Trouble Is My Business (Portland Stage), Kate Atkinson’s Behind the Scenes at the Museum (Luna Stage), and Jim Lehrer’s Kick the CanThe Special Prisoner (with William Schallert), and Flying Crows (available from Dramatic Publishing). Directed East Coast premieres of Jeff Daniels’s Guest Artist and Jeffrey Sweet’s Bluff (both with John Astin), Los Angeles premiere of Noël Coward’s A Song at Twilight (with Orson Bean & Alley Mills), first NYC revival of Sheldon Harnick’s Smiling, the Boy Fell Dead (w/ Judy Kaye & Tony Roberts–York Theatre), and productions around the country of The Value of Names with Jack Klugman (opposite Dan Lauria & Liz Larsen, and earlier Louis Zorich & Megan Muckelmann). Earlier this year, James directed a workshop reading of his stage adaptation of Robert Heinlein’s science fiction classic, The Door Into Summer (w/ Jeff DeMunn, Evelyn McGee Colbert & Stephen Colbert), and completed his adaptation of three short stories by Tom Hanks. Graduate of Northwestern University, ACT, BADA-Oxford, and Yale School of Drama. Lecturer in Directing, Voice/Speech, and Shakespeare, Johns Hopkins University. Associate Artist, Shadowland Stages.



Mile Square Theatre was founded in 2003 as a non-profit professional theatre. Our mission is to enrich and engage the region through the production of professional theatre and innovative arts education. MST produces professional theatre year round, including shows for young audiences and our annual festival of plays about baseball, 7th Inning Stretch. The MST Dance Academy provides pre-professional dance training in ballet, contemporary, tap, theatre dance, flamenco and hip hop; classes run on an academic-year schedule. MST Education provides workshops in acting and improvisation for all ages in spring and fall; offerings are designed to help students of all ages develop skills and technique.






The ALL HANDS ON DECK series is back with a new theme! The play festival shares 4 new works by Female Playwrights of the African Diaspora. Featuring plays written by award winning notable playwrights, as well as up-and-comers. ALL HANDS ON DECK shares different perspectives of the Black experience in America. Conceived by Project Y Associate Producer, Antu Yacob, this session's theme is "Lifestyles of the Strong & Black Female." These plays will ask what does it mean to be strong, Black, and female in 2022? By whose standards? Join us as we explore these new, commissioned works.


January 9th

Project Y Theatre

The Award winning, Project Y Theatre Company, is an outside-the-box theatre company that supports the creation, development, and production of new works for the stage in New York City. 2020 marks our 20th year as a company committed to supporting playwrights and their plays, and with a focus on women and LGBTQ voices. Project Y positions new plays and new voices to be part of the theatrical conversation.